Poster illustration for a local alcohol brand in South Africa. I had to interpret a phrase that represents the feeling of drinking their product.Graphic Design, Illustration2015
Commissioned to illustrate Denver's City Hall with corresponding spot illustrations for 5280 Magazine.
Art Director: Amanda CroyEditorial Design, Graphic Design, Illustration2015
I was asked to create the tour artwork for South African band 'Desmond & The Tutus'. The tour was titled 'Happy Holiday'.
Tour Images: Burning Mime Studios
Graphic Design, Illustration, Music2015
Beijing Opera is a dim sum eatery in Cape Town.
The overall inspiration derives from a traditional Chinese colour palette of red, white, gold and jade.
The logomark depicts a stage with draped curtains, which mimics the form and flow of noodles.Branding, Culinary Arts, Graphic Design2015
A blind emboss cover for The National Arts Council of South Africa. The cover depicted 6 different discplines of the Arts Council; namely, Literature, Craft, Visual Arts, Dance, Theatre and Music.
Agency: BreinstormGraphic Design, Illustration, Print Design2014
Sanlams new payoff line is Wealthsmiths. Wealthsmiths encapsulates how the group does business and not just what it is selling. It focuses on how the organisation approaches its business, and is also creatively interesting.
I was commissioned to do composite typographic treatments in English & Afrikaans. 'Wealth' predominantly depicts objects of luxury & lifestyle, whilst 'smiths' portrays the business & craft perspective.
Agency: King James
Icon Design, Illustration, Typography2014
The Unknown Union collection is designed and produced in Africa.
The collection is available to ship directly or purchased from Cape Town.
I was asked to design some allover prints that could be adaptable for the Winter collection.
Lookbook Photos: Caroline Mackintosh
Styling: Fani Segerman & Anees Peterson
Orders: firstname.lastname@example.org or available at the Unknown Union store.Fashion, Graphic Design, Illustration2014
Mänifold is a vehicle to connect people, conceptualise & get meaningful solutions in a creative, social & sustainable space.
The branding involves a type driven logo customized to give the feeling of movement, accompanied by a modular selection of gradients & pastel lockups.
Branding, Graphic Design, Print Design2014
A poster dedicated to the game of Basketball.
Printed on: Hahnemühle Museum Etching 350gsm
841mm x 594mmGraphic Design, Illustration, Print Design2014
I collaborated with RVCA to produce a capsule filled with food iconography & lettering.
Available at all RVCA Stores South Africa. International Shipping: email@example.com
Some images from: Richard JohnsonFashion, Graphic Design, Illustration2014
I was asked to contribute artwork for the Verb Deck series entitled 'Lost & Found'. I created intersecting and overlapping pathways as my interpretation. I specced a complementary pastel & neon Pantone for the deck.
It is available here: http://revolutiononline.co.za/product/verb-daniel-ting-chong-artist-series-8-125/Creative Direction, Graphic Design, Illustration2014
I was selected along with 9 other Cape Town artists to participate in Red Bulls first 'Canvas Cooler' project in South Africa. Each artist was given a blank Cooler to get creative with and to be showcased in a specific bar in South Africa.Graphic Design, Illustration, Print Design2013
I was asked to create some illustrative icons for New York Magazine's infamous issue of 'Cheap Eats'.Graphic Design, Icon Design, Illustration2013
I had the privilege of collaborating with NicSocks on a fun and adventurous range. The range consists of 'Outer Space', 'Business Time', 'Eye Spy' and 'Emergency Socks'.
They are available and ship worldwide via www.nicsocks.comIllustration, Pattern Design, Product Design2013
Str.Crd is Africa's number one urban street culture event.
I was commissioned to develop the brand identity for Str.Crd and relative collateral for the festival. I chose a Lion as a symbol because of its power and position in the animal kingdom. This was to put Str.Crd in a metaphoric position of king of Africa in street culture festivals.
All clothing collateral created by 2Bop.Branding, Graphic Design, Icon Design2013
In collaboration with iKineo, I was asked to design the facade of Looms retail men's store in Johannesburg which was also accompanied by a poster. Celebrating their launch of their online and interactive store windows, the concept was 'Spam'.
Loom's online and physical words collided to create an entirely new and engaging shopping experience. From the pavement to the packaging, passersby and loyal customers were exposed to a new realm of retail that went beyong a simple purchase. By developing a highly inegrated experience, we helped establish Loom as a hub for innovation, whilst setting a new benchmark for immersive retail in South Africa.Advertising, Branding, Illustration2013
I was asked to develop a campaign for the AFCON 2013 tournament held in South Africa. Paul White assisted with the overall concept and copy.
We constructed the concept 'The Future King Of Africa'. The line applies not only to the players but to the fans as well, allowing them to feel they are part of the movement. The campaign consists of apparel and print collateral.
Paul White: www.headlinepayoff.com
Graphic Design, Illustration, Print Design2013
I was asked to illustrate the cover of Obrigado's 30th issue. The cover had to convey the publication's 30th issue as well as the overall theme of boys and girls.Graphic Design, Illustration, Typography2013
'Heart of Gold' is a playful exploration of the concepts of money, consumerism and greed by Jordan Metcalf and Daniel Ting Chong. Following on the form of their previous project Fear.Less, the artists have played with scale and medium to re-contextualise consumer-based iconography and lexicon as art. The pieces are stark, sleek and graphic, using limited colour palettes and diverse mediums such as glass, paper, wood and ceramic.
www.danieltingchong.comFine Arts, Graphic Design, Illustration2013
In collaboration with Essie Letterpress, I was asked to create an illustration for the month January. The illustration depicted the transitional stage of being on holiday and returning to work.Graphic Design, Illustration, Print Design2013
I was comissioned by Nike South Africa to brand their new running club called ‘Braamfie Runners’. I used a typographic approach for the logo and formed a lockup by intergrating the letters ‘B’ & ‘R’ to emphasize the movement of running. I also created symbols that represented the different levels of runners: Novice, Intermediate and Experienced.
Each symbol represents an internal organ which is pivotal to the human body when exercising. Namely the Heart, Lungs and Thorax. The complexity of each symbol differentiates the level of the runner as well as the difficulty of the run. Each runner receives their symbol as a sticker to mark their routes around the city.
Graphic Design, Illustration, Product Design2012
I was asked to illustrate a South African cityscape comprised of Cape Town, Johannesburg and Durban. The illustration serves the purpose of an interactive display at ABSA branches, where clients interact with the illustration through a touch display that provides information about the services offered by ABSA.
Here are some selected segments from the Cityscape. There is also a video segment panning through the Cityscape.Animation, Illustration, Interaction Design2012
I exhibited some limited giclée prints at Wolves Café in Johannesburg. I wanted to make very flat and monochromatic prints. Each print was printed on Hahnemühle 300 gsm.Illustration, Print Design2012
I collaborated with a soap maker in Johannesburg, South Africa. I wanted to make something quite quirky and fun. The Paintbrush has a lemon scent, the Cleaver has a strong peppermint scent and the Ice Cream is a combination of both.
These are available through local stores in South Africa and via my site.Illustration, Product Design, Sculpting2012
Dear Me is a all-day brasserie and deli in Cape Town, South Africa. It was a project i started whilst at The President Design Studio. I was asked to develop a brand identity and various design collateral. I came up with name 'Dear Me' to give a sense of self reward when visiting the brasserie.Branding, Graphic Design, Packaging2012
I was asked to participate in the RVCA Guitar Show in Cape Town, South Africa. Each artist was given a acoustic guitar to customize.Design, Illustration, Production2012
This is my first range of pillowcase designs. The pillowcases are printed on both sides and have been designed in such a way that one side represents day while the other represents night. You place the pillow on the side that corresponds with the appropriate time of day. In essence, I feel that the pillowcases represent a state of ‘conscious sleeping’. Each set comes with two pillowcases produced from 200 thread percale cotton and packaged in a vacuum sealed plastic. They're on sale at local stores in Cape Town but international shipping is also available.Design, Product Design2011
I was asked to illustrate a cover for the New York Times Key Real Estate Issue. The story was about São Paulo becoming the new Boomtown. The art director wanted something very colourful to make it celebratory. The three buildings are indicative to São Paulo.Illustration, Editorial Design, Storytelling2011
I was asked to design two notebook covers for students in South Africa. I chose to illustrate objects relating to school and making them fun with a quirky tone. They are on sale at local book stores in South Africa.Illustration, Design2011
Fear.Less is a collaborative project between Daniel Ting Chong & Jordan Metcalf. The objects are all representative of weapons/items used in acts of crime in South Africa, both by criminal and the law.
The objects seek to playfully examine the place of fear and crime in South Africa context, framing our obsession with violence and the casual paranoia we all seem to suffer from. By scaling the objects and turning them into artworks, the artists aim to re-contextualise the place these items hold in our everyday lives.
Several different production methods were used to create the final wooden objects.
www.danieltingchong.com | www.jordan-metcalf.comFine Arts, Design, Production2011
I was asked to design the cover for the 4th Quarter issue of Design Indaba. The issue was about DIY (Do It Yourself). So i created a template that you can cut out and create 3D Type and form the letters DIY. The cover is printed in black and silver ink.Illustration, Design, UI/UX2010
Work done while employed at The President.
All images in this project is subject to copyright by The President or their respective clients.
This project is subject to copyright by The President or their respective clients.Design, Illustration, Graphic Design2010